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Sethupathi Movie Review - Vijay Sethupathi rocks as the Mass Hero

Arun Kumar, who coordinated the wonderful 'Pannaiyarum Padminiyum' has at the end of the day held hands with Vijay Sethupathi to give a splendidly scripted mass performer which hits the bulls eye. 

  

"Sethupathi" is an intense cop who adjusts his employment with his family life flawlessly. An examination concerning the demise of a controller from another station pitches Sethupathi against Vathiyaar a top brass in Madurai and the story is about the feline and mouse amusement played by the two told splendidly. 

  

Vijay Sethupathi is an uncommon ability who wears an extensive variety of parts without hardly lifting a finger. In the event that he was impeccable as the wannabe rambunctious in 'Naanum Rowdy Dhaan' here as the clear cop Sethupathi he has gone numerous steps higher. The uniqueness he conveys to his parts is again apparent as he doesn't mouth any punch exchange, however gets the applauds with his non-verbal communication alone. Vijay Sethupathi is a pleasure when he calmly takes a selfie while keeping the lowlife's associates holding up. The scene when he calmly affirms the apprehension of his foe for him from his bicycle and when he teaches his significant other and child via telephone to pursue away the goons who have come to murder them suffocate the theater in acclaim. This is most likely his first full length activity film and he has taken to it like a fish to water. Remya Nambesan conveys the part of a wedded lady with two children without a defect. Both Dhanusra and Raghavan are two adorable children and the last has his own mass scene in the climax.Vela Ramamurthy as Vathiyaar does not look threatening, but rather by his exchange conveyance and non-verbal communication pass on his part pleasantly. Linga as the dependable constable fits the part to the T as is Vivek Prasanna as the fundamental thug. The little performer who assumes the part of an officer who court-martials Sethupathi cuts the house down when he decides for him. 

  

Nivas K Prasanna's experience score incredibly upgrades the film and the tunes too are charming with the mass Hey Mama rendered by Anirudh taking the cake. Cinematography by Dinesh Krishnan and altering by Sreekar Prasad mix well. Arun Kumar, whose past film was class has this time taken the standard cop story and has made it into an exceptionally watchable business performer with his splendid screenplay which demonstrates wrong every supposition from the group of onlookers. Surprisingly we get the opportunity to see the internal life (family) and external existence of a policeman. Normally sentiment scenes of cops will appear to be strange however in this one it is charming. In one of the scenes when the legend strolls home talking furiously on his telephone quickly changes when seeing his children watching and begins playing with them that sends an unmistakable message that even cops ought not convey their work home. Arun has kept the exchanges to the base and has given the activity a chance to do the narrating and he comes great with the guarantee he has appeared. 

  

On the drawback a couple of scenes in the main half are somewhat long which could have been trimmed.