Cute Anjali | Anjali Still | Wallpaper | Wallpaper Download | Actress

Chief Kalanjiyam, bothered over Anjali's press take note of that she can be drawn closer to act in Tamil motion pictures as nobody could slow down her development, drew closer the Directors' Union to restrict her from marking new arrangements unless she finishes his Oor Suttri Puranam.

Taking insight of this, the Directors' Union has issued a diktat that no chief ought to book the performer until this issue is determined. Sources say that not long after her public statement, three executives had drawn closer her and these chiefs were instantly summoned by the committee and were asked for not to join the performing artist until further requests. It would appear that Cute Anjali may not be found in Tamil movies for quite a while!

’24’ most ambitious film: Suriya

Performing artist Suriya, who is right now shooting for "S3", says up and coming Tamil science fiction thriller "24" is the most aspiring film of his profession.

"It's an exceptionally extraordinary film. It's the most driven film of my vocation. The inconceivable canvas on which it's made, makes it extremely yearning," Suriya told IANS.

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Declining to reveal more data about the task, he said: "the script got my consideration. We are having a go at something new and I would prefer not to ruin the enjoyment by discussing it now. I'm certain it will amaze gatherings of people".

Reputed to be founded on the idea of time travel, the film highlights Suriya in a triple part. He will play a senior sibling and more youthful sibling. He will likewise be seen as the child of the senior sibling.

Coordinated by Vikram Kumar, the film likewise stars Samantha Ruth Prabhu and Nithya Menen in essential parts.

Chudail Story | Chudail Movie Stills | New Movie | Wallpaper Download | Chudail Actor | Chudail Actress

Chudail Story: An alluring witch slaughters men by enchanting them. A pack of companions are caught in a spooky house with secretive woman. Is it true that she is the same witch? Do they figure out how to escape her teeth alive?

  

Barely a week after the accidentally interesting 1920 London hit the screens, another chudail is holding up to demonstrate to us a superior time. Thankfully, this one in any event knows the essentials of make-up and is not got in the midst of an unending messy hair day. Be that as it may, her story is similarly dull.

Chief Surya Lakkoju took a prompt from Karan Johar's joke about throwing attractive individuals and we get a hot demoness, who adds oomph to the film. 

It could've been anything but difficult to get tied up with her stewing rage had it not been for her weak backstory. The chudail is engaging till she doesn't mumble an exchange. 

Obviously, nobody would expect great acting in a film with such an unpalatable title however this one is bad to the point that it is not in any case great. 

The mindless exchanges make the more than two hour's runtime agonizing, abandoning you more exhausted than terrified.

The shocking feeling is fabricated exclusively by a resonating dreary voice that rages about the chudail and her mystery power. To be honest, it is to a greater extent a running critique that appears to be right out of an inventory, which records down the customs.

Great written work has never been a strong point of Indian thrillers. They take pride in being trite. In this film, there are scenes lifted straight from Conjuring, Vaastu Shastra and even from Ragini MMS 2. The cardinal tenet of frightening individuals is to abstain from demonstrating the substance of the phantom. 

There is dependably a bigger trepidation of the obscure. However, that as an idea hasn't been bored well into the mind of Indian movie producers yet. 

We are subjected to sauce dribbling faces and ludicrous looking contact lenses that even a seven-year old wouldn't be frightened of. Concerning the on-screen characters, the lesser said in regards to them the better.

Chudail Movie Stills 

Sirish Movie | New Movie | Sirish Wallpaper | Download Movie

Review : Supreme – Popcorn Entertainer

Released on : May 5th, 2016

Director : Anil Ravipudi

Producer : Sirish

Music Director : Sai Karthik

Starring : Sai Dharam Tej, Raashi Khanna

Sai Dharam Tej is gradually yet consistently growing up the achievement stepping stool. His most recent presentation is Supreme which has hit the screens today after a colossal round of advancements. How about we perceive how it is. 

Story:-

Balu(Sai Dharam Tej) is a forceful cab driver who unearths a youthful boy(Mikhail Gandhi) and deals with him alongside his father(Rajendra Prasad). Turn in the story emerges when the young man is all of a sudden captured and taken to Orrisa.

Left with no decision, Balu chooses to go to Orrisa and bring the little child back. In any case, to his stun, he comes to realize that a feared posse headed by Kabir Singh and Ravi Kishan is behind this. Rest of the story is in the matter of how Balu battles despite seemingly insurmountable opposition and recoveries the kid alongside his young lady friend(Raashi Khanna). 

In addition Points:-

One of the greatest resources of the film is the fun part. Credit ought to totally go to Anil Ravipudi for inciting comical drama at standard interims. To start with half of the film is quite diverting and has every one of the components which will run well with everybody.

Sai Dharam Tej is totally quiet now and shows magnificent change in his execution and moves. Fascinating angle is that the youthful performing artist permits others to become the dominant focal point and still looks sure about whatever he does on screen.

After a long hole, a Tollywood courageous woman gets a fascinating part. Raashi Khanna is sublime as Bellam Sridevi and inspires great giggles. Her looks and amusing tricks with Vennela Kishore are great. The comic drama track including Pruthvi and Prabhas Seenu works ponders for the film and produces humorous satire.

Ravi Kishan is additionally great as the comic drama scoundrel and his science with Shaking Seshu has been executed well. Rajendra Prasad and Sai Kumar are alright in their supporting parts. Mikhal Gandhi, who does the part of the young man is great and every one of the feelings passed on through him are brilliant. 

Less Points:-

At the end of the day, story of the film is an immense let down. After the initial fifteen minutes, you precisely realize what is going to happen next. Second 50% of the film proceeds onward a solitary string and does not have numerous fascinating minutes.

One reverential melody that comes amid the second half could have been altered out to make the film indecent. Rationale goes for a hurl in specific territories. The way Sai Dharam Tej searches for the young man in Orrisa and some of his courageous minutes take a gander now and again. 

Specialized Aspects:-

Preeminent has eminent generation values as the film is shot in excellent areas. Camera work amid the Andam Hindolam melody is choice. Screenplay is straightforward and does not digress from the theme. Music by Sai Karthik is really noteworthy as every one of the tunes have been formed and shot well.

Going to the executive Anil Ravipudi, this youthful chief has gotten the beat of the gathering of people no doubt. Despite the fact that he picks a normal and unsurprising story line, the way he includes amusement all through the procedures demonstrates his ability furthermore ticks with the film well. 

Decision:-

With Supreme, Sai Dharam is unquestionably going to go one stage higher towards his fame. Exciting parody all through the film and some very much executed feelings are fundamental resources. On the off chance that you disregard the anticipated story line and float along with the film, Supreme is a normal popcorn performer which won't frustrate you this weekend.

Actor | Sethupathi Movie | New Movie

Sethupathi Movie Review - Vijay Sethupathi rocks as the Mass Hero

Arun Kumar, who coordinated the wonderful 'Pannaiyarum Padminiyum' has at the end of the day held hands with Vijay Sethupathi to give a splendidly scripted mass performer which hits the bulls eye. 

  

"Sethupathi" is an intense cop who adjusts his employment with his family life flawlessly. An examination concerning the demise of a controller from another station pitches Sethupathi against Vathiyaar a top brass in Madurai and the story is about the feline and mouse amusement played by the two told splendidly. 

  

Vijay Sethupathi is an uncommon ability who wears an extensive variety of parts without hardly lifting a finger. In the event that he was impeccable as the wannabe rambunctious in 'Naanum Rowdy Dhaan' here as the clear cop Sethupathi he has gone numerous steps higher. The uniqueness he conveys to his parts is again apparent as he doesn't mouth any punch exchange, however gets the applauds with his non-verbal communication alone. Vijay Sethupathi is a pleasure when he calmly takes a selfie while keeping the lowlife's associates holding up. The scene when he calmly affirms the apprehension of his foe for him from his bicycle and when he teaches his significant other and child via telephone to pursue away the goons who have come to murder them suffocate the theater in acclaim. This is most likely his first full length activity film and he has taken to it like a fish to water. Remya Nambesan conveys the part of a wedded lady with two children without a defect. Both Dhanusra and Raghavan are two adorable children and the last has his own mass scene in the climax.Vela Ramamurthy as Vathiyaar does not look threatening, but rather by his exchange conveyance and non-verbal communication pass on his part pleasantly. Linga as the dependable constable fits the part to the T as is Vivek Prasanna as the fundamental thug. The little performer who assumes the part of an officer who court-martials Sethupathi cuts the house down when he decides for him. 

  

Nivas K Prasanna's experience score incredibly upgrades the film and the tunes too are charming with the mass Hey Mama rendered by Anirudh taking the cake. Cinematography by Dinesh Krishnan and altering by Sreekar Prasad mix well. Arun Kumar, whose past film was class has this time taken the standard cop story and has made it into an exceptionally watchable business performer with his splendid screenplay which demonstrates wrong every supposition from the group of onlookers. Surprisingly we get the opportunity to see the internal life (family) and external existence of a policeman. Normally sentiment scenes of cops will appear to be strange however in this one it is charming. In one of the scenes when the legend strolls home talking furiously on his telephone quickly changes when seeing his children watching and begins playing with them that sends an unmistakable message that even cops ought not convey their work home. Arun has kept the exchanges to the base and has given the activity a chance to do the narrating and he comes great with the guarantee he has appeared. 

  

On the drawback a couple of scenes in the main half are somewhat long which could have been trimmed.

Manithan Movie | Actress Hansika | The Movie

Have you ever wondered if a criminal lawyer is a bigger culprit than the criminal himself in few cases? Our judicial system gives even the accused an opportunity to save himself as it insists that any number of guilty can go scot-free but not one innocent should be punished. Keeping this in mind, Indian film Industry has seen many courtroom dramas. Udhayanidhi Stalin’s Manithan directed by I Ahmed is an official adaptation of the Hindi film Jolly LLB which also falls into this interesting genre; the genre is so interesting that this choice advances the film towards the victory stand.

 Udhayanidhi Stalin makes sure that he gets noticed as a performer than as a hero with this film which has a very neatly written character sketch for him. Unlike his previous ventures, one gets to see Udhayanidhi gracefully letting the story and the other important roles take the front seat. Hansika is definitely sending out signals to emphasize that she can be used much more effectively than just for some song and romance routines. Her character Priya, appears whenever needed and stays in the right space.

 Prakash Raj playing the very important role of Adisheshan completes the race with ease. This character is not new for him. The power in his voice and the strength in his modulation and intonation can make one perceive this film just with the audio alone. Such is the impact of his voice! Radha Ravi on the other hand proves his caliber yet again by taking advantage of the underlined humour that his character carries along. It definitely makes the viewer to wish to see him more often in roles like this. Vivek as Udhayanidhi’s uncle/sidekick, does what he can do even with his eyes closed. As a true cinema patron and as an admirer, one wishes that Vivek starts to get good character roles to play which will throw some light on the performer Vivek.

 R Madhi’s camera has made sure to capture every necessary detail in an appealing manner while J. V. Manikanda Balaji could have helped the transition from one scene to another a smoother one. Few insert shots that could have given a little more clarity seem to have got chopped at the edit table unfortunately.

Santhosh Narayanan's music takes a step forward when experienced along with the tale. But one wonders if his songs are resonating the specific emotion of love, pain, struggle more than what the character or the visuals are trying to communicate. This film is one example where the song and BGM take over the performances at times.

As it is an official adaptation of the Hindi flick, Jolly LLB, nativity and other linguistic aspects have been tweaked well to suit our audience. It is called ”adaptation” for a reason. It is not a remake!  Appreciation to the director and writer Ajayan Bala for the same.

Climax dialogues, especially long ones loaded with sentiment are a sure

winner with audience. You will spot a similar closure in this drama. In case of Manithan, if that dialogue had been coupled with convincing judicial aspects, the output could have been even impacfful. Nevertheless, overall an enjoyable fare!